A R T S
CROATIAN INVENTORS
TERRA COTTA/BMY
THE INTELLECTUALS
DANCE & THEATRE
EXOTICS & RARITIES
OFFICIAL ART
CLERICAL & RELIGIOUS
BUY A SET
COLLECTORS ITEMS
SCULPTURES/STATUES
 
 
                 
 
MUSICAL INTERPRETATION
VIDEO INTERVIEWS
ART INVESTMENT
PRIVATE COLLECTION
 

 

 

 

Terra Cotta Warriors - Bing Ma Yong
" Art is the most intense mode of individualism that the world has known" (Oscar Wilde)
 
Postage Stamps
View a slideshow of "Bing Mah Yong"TerraCotta

Video about "Bing Mah Yong"TerraCotta from Billich Gallery 1

  Video about "Bing Mah Yong"TerraCotta from Billich Gallery 2
HISTORY of Bing Ma Yong - terra cotta warriors
Inspired by the conviction that the Chinese Olympic Committee should adopt a traditional symbol as the official image of the 2008 Beijing Bid, Billich created the Bing Ma Yong cycle of paintings. Best know as the Terra Cotta Warriors of X'ian, Shaanxi Province, Billich has brought an ancient Chinese icon to life through images contrasting 21 st century Olympic sports and 384 BC Qin Dynasty magnificence to the glory of both. So well received has this work been that Billich's Bing ma Yong images are represented on a collection of 16 postage stamps currently in circulation in China a first for an as to the cultural worth of this collection.
"Charioteers BMY"
Charioteers BMY
Limited Edition
Mixed Media
"Fencer BMY"
Fencing BMY
Limited Edition
 
"Eventing BMY"
Eventing BMY
Limited Edition
"Taekwandoo BMY"
Tae Kwan Do BMY
Original Oil on Canvas
 
"Gymnast BMY"
Gymnast BMY
Limited Edition
"Shooter BMY"
Shooter BMY
Limited Edition
 
"Rowing BMY"
Rowing BMY
Limited Edition
"Soccer BMY"
Soccer BMY
Limited Edition
 
Golfer Bing Ma Yong!
Golfer BMY
Original Oil on Canvas
"Year of the Horse BMY"
Year of The Horse BMY
Original Oil on Canvas
   
 
"Torch Bearer Bing Ma Yong"
Torch Bearer BMY
Limited Edition
"Javelin Bing Ma Yong"
Javeling BMY
Limited Edition
   
 
"Dressage BMY"
Dressage BMY
Limited Edition
"Green Dragon BMY"
Green Dragon BMY
Limited Edition
Mixed Media
   
 
"Equestrian BMY"
Equestrian
Limited Edition
"Weightlifter BMY"
Weightlifter
Limited Edition
   
 
"Archer BMY"
Archer BMY
Limited Edition
Mixed Media
General Horse Man BMY"
General Hosemanship BMY
Original Oil on Canvas
   
 
Pistol Shooter BMY
Original Oil on canvas
 
Sailing BMY
Original Oil on Canvas
       
Swimming BMY
Original Oil on Canvas
Baseball BMY
Mixed Media
       
Chariot BMY
Mixed Media
Polo BMY
Mixed Media
       
The Fencer BMY
Mixed Media
Pole Vault BMY
Mixed Media
       
High Jump BMY
Mixed Media
Ping Pong BMY
Mixed Media
       
POSTAGE STAMPS
 
HISTORY
 

The Terra Cotta Warriors and Horses are the most significant archeological excavations of the 20th century. Work is ongoing at this site, which is around 1.5 kilometers east of Emperor Qin Shi Huang's Mausoleum, Lintong County, Shaanxi province. It is a sight not to be missed by any visitor to China.
Upon ascending the throne at the age of 13 (in 246 BC), Qin Shi Huang, later the first Emperor of all China, had begun to work for his mausoleum. It took 11 years to finish. It is speculated that many buried treasures and sacrificial objects had accompanied the emperor in his after life. A group of peasants uncovered some pottery while digging for a well nearby the royal tomb in 1974. It caught the attention of archeologists immediately. They came to Xian in droves to study and to extend the digs. They had established beyond doubt that these artifacts were associated with the Qin Dynasty (211-206 BC).
The State Council authorized to build a museum on site in 1975. When completed, people from far and near came to visit. Xian and the Museum of Qin Terra Cotta Warriors and Horses have become landmarks on all travelers' itinerary.
Life size terracotta figures of warriors and horses arranged in battle formations are the star features at the museum. They are replicas of what the imperial guard should look like in those days of pomp and vigor.
The museum covers an area of 16,300 square meters, divided into three sections: No. 1 Pit, No. 2 Pit, and No. 3 Pit respectively. They were tagged in the order of their discoveries. No. 1 Pit is the largest, first opened to the public on China's National Day, 1979. There are columns of soldiers at the front, followed by war chariots at the back.
No. 2 Pit, found in 1976, is 20 meters northeast of No. 1 Pit. It contained over a thousand warriors and 90 chariots of wood. It was unveiled to the public in 1994.Archeologists came upon No. 3 Pit also in 1976, 25 meters northwest of No. 1 Pit. It looked like to be the command center of the armed forces. It went on display in 1989, with 68 warriors, a war chariot and four horses.
Altogether over 7,000 pottery soldiers, horses, chariots, and even weapons have been unearthed from these pits. Most of them have been restored to their former grandeur.
The Terra Cotta Warriors and Horses is a sensational archeological find of all times. It has put Xian on the map for tourists. It was listed by UNESCO in 1987 as one of the world cultural heritages.

The terra cotta soldiers are remarkably realistic sculptures. The figures are mostly 1.8 meters (5 feet 11 inches) in height, the lower part of the body being solid and the upper part hollow. Originally the figures were painted in bright colors however, over the two thousand years they have silently stood guard, the color has faded and worn off. The squarish faces of the warriors feature broad foreheads and wide, thick-lipped mouths. Their eyes focus on the far distance and some bear an ornate hairstyle. The muscular horses have big bright eyes, large nostrils, stout legs and plump waists and hips and are poised ready to gallop.

Materials: An abundance of clay and especially large deposits of ochre-colored loess in Northern China, which the Chinese refer to as 'yellow earth' proved to be a suitable material due to its plasticity and adhesive quality. Clay of this type was produced in the area near Mount Lishan where the Qin Mausoleum was constructed. A group of kilns were established around the mausoleum in Shangjiao Village, Yuchi Village and Chengou Village.
Figure Creation:The clay was firstly panned and crushed into a malleable form is suitable for molding. The mould was started from the bottom of the body. The feet of the warrior were formed on a square base, and legs were then added. When half-dry, clay was coiled into 3 to 5 cm ropes wound upwards to create the hollow upper body. This was carefully smoothed using a paddle on the exterior pressing against an anvil or block on the inside wall. Next, the half finished head and hands were pasted onto the body. The structure of the base prevented the figure from collapsing. Fashioning heads represented a complicated process. Facial features were achieved using a mould, with piling and sculpting to form the back. Ears were pasted to the heads prior to adding sculpted or molded hair buns.

Most chariots found in Pit 1 are considered to have been command carts from which generals had commanded troops.
Armored general unearthed in the Pit 1, standing some 197 cm in height. Generals wore two layers of robes covered by colored plate armor. This armor consisted of three parts: the 96.5 cm long front section covered the chest and abdomen, the 61 cm long rear portion protected the back and the waist with a small cape fashioned from 160 copper plates. The edge was decorated with geometrical floral motif. A general stands upright with his hands seemly resting on the sword handle. He wore a brown cap and upward curving shoes. His fearless and intrepid expression reflects his authority and experience.

Armored soldiers unearthed in Pit 1, stand 189 cm in height and would each have had a sword in his left hand. They were heavily armored with a brown cape and a red cap and green shin guards. War chariots A two wheeled chariot with a round canopy, 1.2 meters in length and 1.3 meters in width, is pulled by four pottery horses flanked by two spear men with a central charioteer. The horses measure 1.5 meters (4 feet 11 inches) in height and 2 meters (6 feet 7 inches) in length. The charioteer wears a long robe under armor that protects his chest, back and shoulders. His arm extends forward as if he is holding reins.Tunic infantryman unearthed in Pit 1 wear a knee-length tunic, short trousers, puttees and curved shoes and would carried crossbows in their hands. Their hair is wound in topknots while some have beards. The clothes were designed to allow freedom of movement.
Saddled steed stands 172 cm in height and 203 cm in length with a halter. Red, blue or brown saddle sits atop a shabrack, secured to the horse back with a single girth.
Chariot horses unearthed in the Pit 1, Pit 2 and Pit 3, the chariot teams feature strong limbs, large heads, protruding noses, short necks and wide shoulders.
Kneeling archers unearthed in the Pit 2, kneel on their right knees and would have held a crossbow against the right hip to keep it steady prior to firing. There have been 160 archers unearthed in Pit 2.
The standing archers stand with the left foot forward, leg slightly bent and the right leg straight. Their left arm stretches to the front while the right arm is held back to the chest. This is a position from which they are primed for an assault on the enemy.
Cavalryman: Found in Pit 2, the figure, some 180 cm in height, wears a narrow-sleeved knee-length jerkin under body armor, narrow trousers, boots, and a round cap. He holds his horse's reins in his right hand and a crossbow in the left. These horsemen were thought to serve as messengers during a battle.

Every single terra cotta warrior has his own characteristic: exquisite lines of the uniform and natural facial expression.

 

 

Copyright © 2006 Charles Billich, All Rights Reserved